And blood." Tom's whole being applauded this idea. It was deep, and dark, and awful; the hour, the circumstances, the surroundings, were in keeping with it. He picked up a clean pine shingle that lay in the moonlight, took a little fragment of "red keel" out of his pocket, got the moon on his work, and painfully scrawled these lines, emphasizing each slow down-stroke by clamping his tongue between his teeth, and letting up the pressure on the up-strokes.

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